Billy Collins


Billy Collins
* Books of Poetry (alphabetical). * Billy Collins exercise. * Time Line. * Books.

Billy Collins featured in:

* Best American Poetry: 2007 (guest editor Heather McHugh) with "The New Today".
* Best American Poetry: 2004 (guest editor Lyn Hejinian) with "The Centrifuge".
* Best American Poetry: 2003 (guest editor Yusef Komunyakaa) with "Litany".
* Best American Poetry: 2001 (guest editor Robert Hass) with "Snow Day".
* Best American Poetry: 2000 (guest editor Rita Dove) with "Man Listening to Disc".
* Best American Poetry: 1999 (guest editor Robert Bly) with "Dharma".
* Best American Poetry: 1998 (guest editor John Hollander) with "Lines Composed Over Three Thousand Miles from Tintern Abbey".
* Best American Poetry: 1997 (guest editor James Tate) with "Lines Lost Among Trees".
* Best American Poetry: 1993 (guest editor Louise Glück) with "Tuesday, June 4th, 1991".

Books of Poetry (alphabetical).

Billy Collins' first full-length collection of poetry.



Accessible poems, written in common speech that one might use in conversation, with a willingness to look death in the face. In this, they remind me of the (admittedly more romantic and less funny) poems of Sara Teasdale.

In his introduction to Best American Poetry 2006, Billy Collins specifies some selection criteria, so it's interesting to see to what extent he follows his own criteria. The sarcastic "The Student" reinforces Collins' inclination to disagree with rules:


   "My poetry instruction book,
   which I bought at an outdoor stall along the river,
   
   contains many rules
   about what to avoid and what to follow.
   
   More than two people in a poem
   is a crowd, is one.
   
   Mention the clothes you are wearing
   as you compose, is another.
   
   Avoid the word vortex,
   the word velvety, and the word cicada.
   ..."  
Here are some of Collins' Best American Poetry 2006 criteria, and Collins' tendencies:

  1. "A human voice speaking to me ... interested in my participation as a reader." 18 (almost half) of the poems sidle up to the reader and address the reader as 'you', often meaning the generic you-as-audience, sometimes implying the spouse, and sometimes naming a person.
  2. Opening lines that start "in the 'factual'": all his poems do that.
  3. He follow John Ciardi's: "flaws that prevented him from reading any further. ... the mention of mythological beings and the apostrophe 'Oh!' found places on his list." None were noticed.
  4. Collins cheerfully declares (implying the fickleness of such lists) that he cannot read further in a poem with the word cicada. Easy exercise for the reader: which cicada-bearing poem entered this book?
  5. Poems that are largely memories, particularly of family members or of items associated with a dead person. While many of his poems are set in the present, he certainly reminisces.
  6. "Poems that presume an interest on my part in the poet-speaker's psychic condition (usually misery)." [They all do.] And at least six (15%) of the poems are about the poet's process.

Data:

Time Line.

1941.
Born William J. ("Billy") Collins on March 22.

1968.
Began teaching at Lehman College, New York.

1994.
Poetry magazine selected him as "Poet of the Year".

1997.
Recorded The Best Cigarette, a collection of his poems.

2000.

2001.
Began first term as 44th Poet Laureate of the United States.
Concluded as Distinguished Professor of English at Lehman College, City University of New York.

2002.
Began second term as 44th Poet Laureate of the United States.

2003.
Ended double-term term as 44th Poet Laureate of the United States.

2004.
New York State Poet for 2004.

2005.
Published The Trouble with Poetry and Other Poems.

2006.
Billy Collins selected poems for Best American Poetry 2006.

Books.

Links and Books.


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